Wednesday, December 7, 2011

Pearl Harbor at 70

70 years ago today the Imperial Japanese Navy struck the Pacific port of Pearl Harbor.

7 years ago today, with the help of my Japanese boyfriend, Takaaki, America and Japan settled the last few lingering issues of the terrible conflict that began that placid Sunday morning in Hawaii. We did it with words. We did it with poetry. Here is how we achieved a lasting peace.


Takaaki, Part II



Becoming human takes a bit of time.
Nobody knows exactly how we do it.
We classify the clock as the enzyme—
the universal catalyst. Through it
we cease to be that seemingly divine
lump of life we call ‘a child.’ Fine.
We can cope with children pretty well.
What gives geneticists heartburn from Hell,
however, are the differing results
we get. When something evil as a rule
shows up with a small army at the pool,
shooting all the judges, most adults
completely fall to pieces. Like that helps.
Now, evil can compete with Michael Phelps.

The cruel careers of our worst instincts are
Olympic in brutality, but short—
if measured by the life of stone or star.
Were we less human, we might not resort
to good or evil. They’d be words—like stones
and stars. The sea would not be free of bones,
but bones would be more beautiful, like sand
twinkling between alien toes stand-
ing on Coney Island, where the old Cyclone—
the roller coaster—clatters up and down.
The salty waves would still drift in, surround
small feet. Bad children would be taken home.
The sea would sparkle—conscience cold and clear.
Only you and I would disappear.

Some distance back time in this scene is set,
inside a vast apartment—glass, concrete
and steel—accessed by elevators. Let
the windows start in Brooklyn, stretch to meet
The Empire State behind a candle, where
I swivel in a large black leather chair,
while your eye continues traveling
along gray glass, skyscrapers unraveling,
until the pointy tip of the Chrysler Buil-
-ding gently lifts Lexington Avenue,
piercing a silver nitrate mist. Now you
must let this scintillating picture fill
the space before your eyes: that is New York.
Here, I transfix a carrot with a fork.

“I will never tire of this view,” I say,
blowing on my steaming vegetable,
adding, “Totemo oishikatta ne,”
confidently in Nihon-go, able
to tell Takaaki I enjoy his curry
without entangling my tongue in worry.
“It’s okay,” he shrugs, quietly deferring
my compliments—as usual preferring
a tilted head, a seated bow, the nicer
show of manners honored in Japan
which can seem strange to the American
inclined to linger too much over dinner,
allowing food to cool and candles run.
Before I’d started, Taka-chan was done.

Except for these two mushrooms which
he pushed off to one side—not even tried—
two huge shitakes that he didn’t wish
to eat. Or share. They looked okay. I’d
eat them. From a Doraemon candy tin,
Takaaki took a cigarette. A thin
wisp of smoke and hiss rose from his plate
to celebrate our ninety-seventh date.
“What should we do tonight,” I inquired,
“Go bowling? I’ll do anything you like.
Get drunk? Get naked?” [Silence.] “Steal a bike?”
“I swam forty laps today. I’m wired.”
He exhaled, emitting a dry laugh,
“Shall we play Scrabble, then, and then have bath?”

The carrot on my fork released a drop
of curry with a thick and oily splash.
The very second my utensil stopped,
I discerned, across the table, a flash—
something which I hadn’t seen before—
metallic—worth investigating?—or
maybe not: a passenger aircraft
hovering above New Jersey as it passed
behind Takaaki’s silhouette, gliding in
to Kennedy, LaGuardia, Newark—
nothing necessary to report.
A zero. Nothing nasty hiding in
those pink puffs of lead behind his head—
those distant thunderclouds, I should have said.

“Have bath sounds good. But Scrabble, I will pass.
You always win, you creep. You clearly cheat,”
I said, “It’s obvious. You won the last
nine times. You’re not going to defeat
me for time number ten tonight.” I put
my foot down firmly. There. Takaaki’s butt
he then extinguished in the blob of sauce
that recently had claimed his match. “You lost
because you play without strategy.
There is no need for me to cheat,” he sighed,
as if I were an insect on his thigh
too insignificant to crush—a flea.
“You waste time making interesting word—
not the word that wins.” My mouth conferred

a moment with a chunk of chicken dyed
cadmium by turmeric—the curry.
Then I swallowed. “I have always tried
to think of Scrabble with you as purely
educational. It is my wish
to help you in enlarging your English
vocabulary. And defeating you—
too easily—as surely I must do—
would only be embarrassing. I know
how sensitive to that Nihon-jin are.
Destruction on a Scrabble board would mar
our beautiful relationship.” “Honto?
It sounds like Maru-chan’s afraid to play.”
“If you want to play with words, okay.”

(Maru-chan, or “Little Maru” is
the new nickname by which I’m known
in Japanese. I really don’t exist
in English anymore—except at home.
Maru works best for me as a suffix
to Kobayashi—a fictitious ship—
the bane of all Starfleet cadets, but one.
The Kobayashi Maru ranks among
his greatest triumphs. Though Kirk’s victory
pales before my own: I am the first
to turn the Kobayashi into verse—
in one of those strange twists of history.
Present me a no-win scenario,
I get the rules. Then change the game. Let’s go.

“The Kobayashi Maru is a test
of character. There is no way to win.
We simulate a vessel in distress,
hull breached, an icy vacuum pouring in.
During rescue operations, a surprise
Klingon assault destroys you—Enterprise.
The purpose of this mission is to face
fear—certain death. Logic indicates
we should get started. This is Judgment Day.
You will be graded by computer. I
am the computer. Any questions? Try
to die with dignity. Dismissed.” Okay,
Takaaki, you be Spock. You are aware
computers can be—hmm—re-programmed?) There

Takaaki tapped a second cigarette
on Dora-chan’s bountiful blue tin.
I went on eating, watching the sun set
like some enormous, obvious omen.
A hungry hush settled on our table
until a tulip petal quite incapable
of hanging on fell to my straw placemat
softly. Ten long minutes passed like that—
so painfully they felt more like twenty.
I drew bananas in my curry sauce
while Taka-chan established who was boss.
Then he offered, “More?” “I’ve had plenty.
Thanks.” I roll the tulip petal from
the mat between forefinger and thumb

contemplatively as Takaaki takes
dishes to the kitchen. In the glass—
his picture windows—I assessed the stakes.
I watched Takaaki work—efficient as
a machine—feeding things to Tupperware
containers, fridge and freezer over there.
I should be helping to put things away.
But I am lazy—what else can I say?
When I see him stationed at the sink,
I drink the dregs of my cold barley tea,
then saunter to the toilet for a pee,
leaving the door open while I tink-
le, shouting with some disgust, “Ew.
You didn’t flush.” I lied. I sometimes do.

Before we get to Scrabble, we must first
prepare our space for battle. Wet dishes
rest in a rack while bubbles rise and burst
around Takaaki as he calmly swishes
cutlery though the hot suds. Each plate
I plan to dry I first inspect. I scrape
a shred of gray organic matter loose
from the light, lilac pattern. I peruse
both back and front and add it to the stack
of china in the cabinet above—
enraging him with all my heart, my love.
This underhanded method of attack
earns my palm a pair of scalding forks
falling from the sky with deadly force.

“God damn it! What is wrong with you?”
I thundered to a non-existent jury,
“You stab me with hot forks out of the blue—
I promise to play Scrabble and—” And fury,
rage crystallizing in Takaaki’s eye!
“I know when you’re mocking me.” I
do not reply—permit my mask to slip—
seeing I’ve destabilized his lip:
it jiggles like red Jello in a mold
before the gelatin’s had time to set
sufficiently. Our glances briefly met,
calculating how long we could hold
some fresh profanity from breaking out.
He placed his boiled hands beneath the spout

allowing a cascade of cold to run,
so his corpuscles had a chance to cool.
But were they? Something horrid had begun
with Scrabble at sunset. A kind of duel:
a test of tempers turning letters—tiles—
into finely calibrated dials.
I followed a cylindrical, stiff ping,
a hollow contact in my sonar ring,
the sound of flesh, not schools of frightened fish,
darting down into the icy depths.
I sensed his anger out there, sliding West,
enveloped in the velvet dark. I wish
he hadn’t tried to lecture me before
about my Scrabble game. Now, I abhor

violence like any veteran
who knows what horrors in his soul may lurk.
But I’m American, and human, and,
against a submarine, depth-charges work
well—like words—if you deploy them right.
But using double-meanings in a fight
is regulated largely by extent
of your technology. Intelligent
tacticians will grade every syllable
according to its true explosive power,
testing new artillery in the shower,
walking, waking, working—if capable—
gathering the forces to make love.
Love is where things get a little rough.

Love is not a game like Scrabble, is it?
It’s more like dominoes. With rubble. War
may be our best analogy. I pick it
because war has no ceiling here, no floor.
I make love without limits—not sky,
the stars, the earth, the sea. I’ll tell you why.
The language I command is so advanced
it now permits me to transform romance
into a weapon. Watch as I revoke
each kiss, caress, all pretense of pity.
Watch me turn your face into a city,
blow your eyes to atoms—balls of smoke.
Watch me fly from love to Nagasaki,
deliberately incinerate—. Takaaki

frowned. He turned the faucet off. He dried
his swollen fingertips on a dishtowel
with ‘It’s Thanksgiving’ printed on one side,
a turkey, goose—some kind of cooked, brown fowl—
emblazoned on the other. He withdrew
another cigarette. (There were just two
cigarettes remaining in Doraemon.)
“Are we still playing games or are we done?”
I left when he invited me to go.
Reluctantly. No goodbyes were said.
I understood. I even expected
this. Nagasaki went too far. To show
how bad I felt, I called him—to surrender—
unconditionally—the 7th of December.

Saturday, November 19, 2011

How I Became a Poet

I became a poet during the passing bell from 1st to 2nd period on Monday, November 4th, 1985. I was seventeen. We had just finished reading ‘Dulce Et Decorum Est’ by Wilfred Owen in AP English. The textbook we were using was Sound and Sense, edited by Laurence Perrine, 4th edition, 1973.

In W.H. Auden’s biography by Edward Mendelsohn, one paragraph mentions how Auden conceived the 1933 poem, ‘A Summer Night.’ Auden describes “a vision of agape,” “what it really means to love your neighbor as yourself.” After that, he was a different kind of poet. He was a different kind of man. I think that I had just such an experience in high school with Wilfred Owen.

After reading his poem, I looked down at Owen’s capsule biography. I dwelt on the dates. 1893-1918. I saw a young man, handsome, not much older than myself, dying pointlessly, one week before the war ended. My throat closed. I had trouble swallowing. I remember struggling to force something embarrassing down. “I might have loved him,” I thought, “I might have died for him.” Then, the bell rang. I moved mechanically to Calculus. The rest of the day dissolved in a fog.

I am probably the least mystical person you are ever likely to meet. My first major in college was Astrophysics. I have never been able to afford fantasies. Not since my parents divorced, anyway, when I was nine. Not since my disgusted stepmother discovered my diary in 1988 and learned I was gay and my father threw me out of the house.

I left that night with nothing but my wits, a little Latin, and my encounter with Owen. I survived. I put myself through school. I believe that brief moment I spent with Owen is why I write poems. It is certainly why I still love my parents. They are just as human as me. Even my stepmother. She drove me to school that drizzly November morning.

The only inhuman person I have ever known was Mr. Anonymous, an irritating roommate who liked to come home from therapy, flop on the couch, and compare family horror stories, in a sort of perverse version of Irving Berlin’s song, ‘Anything you can do, I can do better.’ One exasperating evening, while I was ruining a new shirt, I told him that the only truly horrible thing about life is that life is not entirely horrible. “The Devil is in the details,” I hissed, “these bleach spots are Hell.”

The problem of existence would be much easier to solve if we were able to walk straight from the womb to the grave unimpeded by beauty—if we were not tied so tightly to such sturdy chairs. If only we could stop imagining how excruciatingly lovely—how deep—how blue—lake Lucerne once looked to us as children, in 1911. If only we could stop comparing that impossible color to the eyes of this pimply, vaguely self-conscious youth—a virgin—removing his rifle from his shoulder, in order to rape our unconscious daughter, in 1943.

All I have is a voice. Someday, I would like a student to pick up something that I wrote and experience that feeling of sympathy I felt when reading Wilfred Owen. I am forty-three. I am gay. I am not wealthy. It is unlikely that I will have any children. Still, I would like to leave something behind for future generations. I would like it to be a generous vision, but a real one. For the lack of a better word, I would like to call it ‘love.’

Friday, November 4, 2011

Ménage

Loneliness, insomnia and I—
The strangest bedfellows you’ll ever see—
Toss off our sheets together and we try
Our best to keep each other company.

We pick the blankets from the floor. We find
Some satisifaction studying the shade:
Bright diagonals dance up one blind
As Fred and Ginger danced across the stage.

Nothing calms our restless legs. We kick
Phantom spiders tickling prickly feet;
We rub our soles and wait; but we can’t trick
Our senses. These sticks generate no heat.

Or nothing like that warmth I remember
Reaching for—half-dreaming—fingers blue,
Frozen, teeth chattering, ribcage tender,
Where I received an elbow from you.

Friday, October 28, 2011

John Milton Interviews Satan For Entertainment Tonight

[Transcript from an interview soon to be broadcast on Entertainment Tonight.]

Milton: Since Halloween falls on a Monday this year, and this is his birthday weekend, I am here talking with Satan, on Skype, from his holiday villa “Pandaemonium” deep in the depths of Hell. Satan, let me be the first fan in England to wish you a big Happy Birthday!

Satan: Gee-wiz, thanks, John. So kind of you to call. I am touched, really, I am. I wouldn’t be here today if it weren’t for you. And may I say you look marvelous for a 400-year-old? What is your secret? Who is your surgeon? You could pass for a teenager. It must be the poetry—Paradise Regained.

Milton: [Blushing.] Such a sweetheart.

Satan: By the way, I enjoyed your pamphlet on free speech. Areopagitica—great title. I can’t wait for the movie.

Milton: [Even redder now.] No wonder Eve fell for you. Satan, I know you are in Hell and everything, but you sound so mellow, so relaxed. Why is that?

Satan: I am not religious, you see. I love where I am in life. I always have. This is my home. Hell is all in the mind. So is Heaven. As long I have high speed internet access, a hibachi, a Ken doll to grill and somewhere to surf, I am in Heaven. Malibu Barbie never had it so good.

Milton: When you say you are not religious, what do you mean? Are you saying that you don’t believe in God?

Satan: No, not exactly. I believe in God. I just wish that he believed in me.

Milton: I heard about your break-up. I didn’t want to ask about it directly. Worse than Jen and Brad’s?

Satan: I wouldn’t say it was as Earth-shattering as that, not by Hollywood standards. But it was certainly all over the tabloids at the time. It was bad enough.

Milton: Are you bitter?

Satan: No, not bitter. Just a little sad. Look, don’t get me wrong. I think God is great. “Akbar” and all that. I wish I could do more to help him—justify his actions, so to speak. Nobody adores God more than I do—even after what he did to the Amalekites in that bar in Seattle. I understand lashing out. I have felt that way about the paparazzi myself. But genocide? Jeez Louise, God, get a grip.

Milton: Are you still friends?

Satan: In the biblical sense, sure. It can get complicated around the holidays. God and I still get together for brunch whenever I am in town.

Milton: I always suspected God was gay.

Satan: He’s not. Not exclusively. I believe God is bisexual. He loves almost everyone. Even the Amalekites, maybe. I am not so sure how he feels about the paparazzi though. He has a hard time with photographers. I wish they would leave him alone.

Milton: [Nodding sympathetically.]

Satan: [Leaning forward, confidentially.] Off the record, John, between you and me, he has this kid and some mysterious woman in Rome he is paying alimony to. Or blackmail. Possibly a transsexual. You know how those Italians are. I never saw the name on the envelope, but he used to cut her a check—10% of his residuals—every month. He is a nice man, a lovely man, but an unholy financial mess.

Milton: Off the record. Sure. [Clearing his throat.] So, when you say you are not religious, you don’t mean to suggest you are an atheist?

Satan: No. Far from it. There is no system of belief more suicidal to happiness than atheism. A pile of dust—what kind of future is that for an ambitious angel to look forward to?

Milton: Not much of one, I suppose.

Satan: Hell, no. Give me Malibu and my hibachi.

Milton: About religion then.

Satan: Oh, yeah. I mean, I hate organized religions. I am a firm believer in the separation of church and state. I don’t believe in unions—reunions—collectives of any kind—artistic, intellectual, political. Sex is a different matter. I am all for that—consenting individuals. But I would rather stick my head in a wood chipper than be caught in a cheering crowd. I am a small ‘d’ democrat. The ‘d’ stands for ‘devil’.

Milton: [Smiling.] Very funny. Speaking of crowds, what do you think of the Occupy Wall Street movement?

Satan: I honestly feel sorry for the kids. Lied to everywhere, by everyone. No place to poop. But I think their leaders are idiots—they should be pissing on their professors’ lawns instead of in Zuccotti Park—especially the English majors. Who spends $100,000 at a spa studying Foucault for 4 years? Insane.

Milton: It is rather.

Satan: You can buy houses all over America for that much and still have money left over to open a coffee shop, learn HVAC repair, and stage a guerilla theater production of Coriolanus in Washington D.C.—complete with puppets. [Sipping herbal tea.] It’s like I said about Heaven and Hell: you make your own Malibu. There are always dues to pay to some bare-knuckled thug or wild-eyed zany somewhere down the line, if you don’t.

Milton: Can you give us an example?

Satan: [Thinking.] I was going to mention Bush and Obama, but they are more like Laurel and Hardy, aren’t they? The two smiling sides of a counterfeit coin. Nobody takes Republicans and Democrats seriously anymore—not in the real world—not in the world I live in, anyway.

Milton: In Hell?

Satan: In California, John. Ken—wave to the man. I know he can’t see you, I know he is blind, I know he’s a poet, but be a doll, Ken, and wave to Milton anyway. [Ripping off Ken’s left arm and still trying to think of a good example of a thug or a zany.] Ken is waving to you, John.

Milton: Hi, Ken!

Satan: [Using Ken’s severed arm to scratch his back.] See, take the French Revolution. Take the intellectuals. Take the guillotine. They get rid of Schwarzenegger and what is the first thing the smart people do? They anoint Jerry Brown Governor: they install a moonbeam as god and immediately lose their minds. Jesus, you might as well hand over your house keys to the chief lunatic in the asylum. [Rolling his yellow eyes in disbelief.]

Milton: Speaking of Jesus, I have always wondered, do you know him—Jesus—I mean—personally?

Satan: I do. [Tossing Ken’s arm into a river of lava.] He will always have a special place in my heart. A nice boy. Red hair. Constantly climbing trees. A dead ringer for Opie Taylor—the young Ron Howard. Jesus was always being followed home by lost puppies—wherever he went. I think the divorce hit him hard and the puppies sensed that.

Milton: The divorce? Oh, the lady [?] in Rome.

Satan: Yeah. Her. Animals are like that. They know things. They remember things. The other kids are really going to crucify him in high school, of course, if he doesn’t lose those strays. I have half a mind to tell him the puppies can stay down here in Malibu with Ken and me.

Milton: That’s awfully generous.

Satan: It’s nothing. Jesus texts me all the time. God is hopeless with numbers, so I help Jesus with his math homework. He is learning fractions now. He thinks of me as his second father, I guess, Pandaemonium as his second home. God used to bring him down to Malibu from L.A., you know, for long weekends. We made quite a happy family, really. The three of us would play Monopoly together. [Wistfully, as if remembering happier days.] Jesus liked to be the thimble. Being the bank, I preferred the top hat.

Milton: And what was God?

Satan: God? Oh, God. What was God? Let me see if I can remember. Christ was the thimble. I was the hat. [Long pause.] I’ve got it: God was the dog. He was the dog. Of course, what else could God be?

Milton: The dog. Of course.

Together: Happy Halloween!

Monday, October 17, 2011

Snowsuit

[The person speaking here, of course, is Lucifer.]


As much as I deplore soliloquies,
Speeches, and comic monologues—they turn
My stomach—I must still deliver these

To raise dejected spirits. “Let’s return
To your big bedroom. Heaven, then. Some past
Prison you can imagine. If you yearn

To smash Authority, smash it. Break the glass.
Inhale the mustard gas. Give me the cries
Of children running helter-skelter as

I calmly napalm you. Surprise! Surprise!
Who did you think that you were playing with?
A girl? A weepy sissy? Come on, guys.

I am not Jesus. Christ, the only myth-
Ic man you’re likely to encounter in
This life is Love. And would you like a list

Of his offenses, His war crimes? Then
Stand by for a fight. There is no horror,
No atrocity, God would not commit to win.”

I say this to a green casualty of war
Pulled from a heap of clingy clothes—no vests—
All arms—a corpse I drag across the floor

More irreverently than one expects
A kid to treat the dead: with a smile, a skip,
A shaking rump, the exclamation, “Yes!”

It seems my snowsuit doesn’t mind a bit.
He joins the general festivities—
Snowball season! Canceled school! I unzip

His bowels. I slide through his extremities.
I search for mittens—and he giggles like
I’m tickling him. Almost until he pees.